We are very glad to announce our participation at Poppositions Brussel.

Karl Karner

Installation

Objects

Karl Karner | Linda Samraweerovà

Performance

Interview about Poppositions with Collector Alain Servais click here

   Supported by Österreichisches Kulturforum, Brussels

Five Collectors Band Together to Dispel Speculative Market for Emerging Art

ARTSY EDITORIAL

APR 15TH, 2015 3:37 PM


For its fifth edition, experimental Brussels-based fair, POPPOSITIONS, has turned the tables on the collectors who typically populate art fair aisles. While a strong contingent of galleries still make up the selling portion of the affair, POPPOSITIONS also tapped five top-notch Belgian collectors to present “Do you have ‘barbaric taste’?” a selection of recent acquisitions over 600 square meters of exhibition space. POPPOSITIONS is a young, international fair, based in an old post office building and focusing on 40 young galleries, nonprofit and artist-run spaces, and curatorial initiatives. Liv Vaisberg founded the fair four years ago to run alongside Art Brussels. “We are positioning ourselves as an ongoing critical discourse of the fair model—recognizing it as a necessary evil. We want to show that we can experiment on the art economy outside the prevailing art market models,” she explains.


The show, which takes place over an entire floor of the fair, includes 800 works lent by five major collectors—Galila Hollander, Benoît du Roy, Frédéric de Goldschmidt, Cédric and Cookie Liénart van Lidth de Jeude, and Alain Servais. All the pieces on display have been acquired in the last 10 years and cost under 8,000 euros each. The exhibition itself is being curated not by the collectors but by the outside team of Les Commissaires Anonymes and Nicolas de Ribou, who oversees Servais’s personal collection.


“The Belgian collecting scene favors sharing and cooperation rather than competition,” Servais points out. “Many collectors and particularly those five involved are often visiting each other, discussing their acquisitions and sharing information.” Servais and de Goldschmidt have been supporters of the fair since its second edition. When they discovered POPPOSITIONS had spare space in its 2015 edition, they proposed the concept of a self-financed exhibition and invited the others to take part.


“I am convinced that today is a time where a huge gap has opened up between the cultural and the monetary value of work, with a part of the art market trying to convince new buyers that what is expensive is relevant culturally,” Servais notes. 


There is often a notable distance between the works being chased by the market that would fit into a more saleable space and the more challenging pieces that are praised by critics and institutions—especially with younger artists.The role of the collector here is interesting. Servais sees a Europe, which in the grip of austerity cuts is (sadly) moving more in line with the U.S., where the effective privatization of culture is normal. As de Goldschmidt notes, “In countries such as Belgium with little state support for the arts, contemporary artists would not be able to get recognition and exposure without collectors.” Yet the breadth of taste and conversation within this project emphasizes a desire for creative collecting and new, outside-the-box ways to financially support the art world.


—Francesca Gavin

POPPOSITIONS runs April 24–27, 2015, Canal Wharf, Brussels.



Karl Karner and A|B|C ontemporary are supported by Österreichisches Kulturforum, Brussels

Fairs/Kunstmessen

 

Art Bodensee

Lake Constance

July 10-13, 2014

Black a question of the material?

Martin Gepp

Karl Karner

Andrea Bianconi

Bob Gramsma

 

'the-solo-project'

Basel, St. Jacobshalle,

16th of June - 22nd, 2014

Karl Karner

Aus meinem Samtkasten

 

SideEffects, Basel

16 -22 June, 2014

Hammerstr. 73

Territories-Identities - Space

Andrea Bianconi

Bruno Streich

Michael Hirschbichler

Baltensperger+Siepert

 

ZONA Maco

Mexico City, MX

January, 2014

Territories

Baltensperger+Siepert

 

SLICK Paris

24.-27.10.13

Identities

Jürgen Paas

Naoki Fuku

Paolo Grassino

Wojtek Klimek

Bruno Streich

 

Art Bodensee

Juli 2013

 

VIP ART FAIR FOTO

2012

Franziska Stuenkel

Rune Guneriussen

Paolo Grassino

Richard Caldicott

Antal Thoma

 

Kunst 11 Zurich

17.-20.11.2011

Lola Berenguer-Suarez

Richard Caldicott

Marc Fromm

Pe Lang

Huy Xuan Nguyen

Jorge Rubio

Bruno Streich 

 

Preview Berlin

09.09.2011 - 11.09.2011

Marc Fromm

 

VOLTA 7

13.06.2011 - 19.06.2011

Marc Fromm

Young Lady With Pet 

 

 

 

 

Exhibitions/Ausstellungen

 

 

Géraldine et Tizian

Triennale UNIL Lausanne

Herbst 2013

 

 

Rune Guneriussen 

St. Moritz Art Masters

25.8. -1.9.2013

Waldhaus Sils

Sils-Maria

 

February 2013

Solo exhibition,
Waltman Ortega Fine Art
Miami, United States
9th of February to 31st of March 

February 2013
Group exhibition, Rheingalerie
Bonn, Germany 
21st of February to 30th of March
 
March 2013
Solo exhibition, HLP Galerie
Cologne, Germany
17th of March to 28th of April 
 
March 2013
Duo exhibition, Galerie Brandt
Amsterdam, The Netherlands
1st of March to 30th of March 

 

John Trashkowsky

 

Paris, 7. - 15. März 2013

Atelier Z

rue du Grande Armée

 

New York Biennale

Online

8. März 2013

 

Naoki Fuku

 

Sissach, Basel

Haus am Bach

20.2. - 22.3. 2013

 

SCOPE Art Fair, Basel

10.6. - 16.6.

 

Media Art Festival

16th Line Gallery

August, 2013

 

 

 

Press/Compliments

 

 

55. Biennale di Venezia

 

Palazzo Bembo

Personal Structures

Marc Fromm

Vernissage 29. -31. Mai

 

St. Moritz Art Masters 2013

23.08. - 01.09.

 

Art Walk

Rune Guneriussen 

Waldhaus Sils

 

Triennale Lausanne 2013

August, 2013

Géraldine ét Tizian

 

In the Press:

Deutsche Welle -Reportage-

Rune Guneriussen 2013

 

Elephant Magazine

Issue 14 - Spring 2013

page 22

Pe Lang

 

Aesthetica Magazine (GB)

Issue 52, p. 88-99

Rune Guneriussen

 

Elephant Magazine No.8 2011

Rune Guneriussen

 

Swiss Magazine

November 2011

Xuan Huy Nguyen

 

Elephant Magazine

'An interesting new player in the Zurich scene, with some pretty high-impact shows in its arsenal, such as the complex, and often heartbreaking, political-personal-historical satires of Vietnamese painter Xuan Huy Nguyen (the artists first exhibition in Switzerland), or the varied and surprising (it's rare to be able to use that latter adjective without irony in today's art world) paintings, photographs and installations of Swiss duo Bachmann/Banz'

 

Corinne Olejak

Marc Valli

Elephant

 

Neue Zürcher Zeitung

Simon Menner,

Zürcher Kultur Mittwoch, 19.12.2012